Peter&Paul have provided feedback on my initial concepts. I have a week to complete the outcome.
They much preferred the first concept of using the sponge type however they suggested experimenting with the scale.
The layout is too straight forward - Suggested to focus on the word 'Sponge' in a geometric font similar to:
The issue with this is that it's a card print and will be hard to replicate digitally. If I was to actually print the outcome, I would risk losing the unique qualities through editing as I have a colour scheme that I am required to follow. From my experience with working in print and translating it into digital and then back into print I find the print quality of the manual printed processes is lost.
Sourced a simple geometric font:
Massive Baseline is square format therefore it can be rotated and adapted whilst holding its structure. Here I have demonstrated how the square format type can be used to stack the type:
Experimented with the composition making sure that I was conscious of space. I aim to be expressive but considerate in order to make sure the content is legible:
I introduced Microgramma for the copy as Massive Baseline isn't legible on such a small scale. Microgramma's width allows it to work cohesively with Massive Baseline.
It would make more sense if the sponge was outlined and 'absorb' in full to illustrate the word absorbing ink therefore I changed the composition. The composition is reminiscient of Russian Constructivist design:
Paula Scher's contemporary Russian Constructivist style for CBS Records, 1979:
Considered and balanced composition - Almost resembles aerial images of fields.
I have listened to the feedback and have sent two variations over for further feedback. I feel it is important to stay in contact with the client in order to make sure I don't run into any complications at the end of the deadline.
Sent email:
Final concept:
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