OUGD504 - Design for Print - Crit/Feedback

During the crit session I highlighted areas that I need advice on:

Size

Showed my crit group two sizes of the publication that I am considering from my research from Tschichold - A4 and 24x18 (3:4). I explained that traditionally coffee table books are large and oversized, however this would make the production and printing costs expensive which is why I am considering a smaller size. My crit group showed more of an interest in the smaller size because it's easier to hold but is still big enough to present my images on a large scale. This evidence gives me confidence in the 24x18cm publication.

Images/Concept

I showed my images alongside the type out of context which the crit group thought was really appealing which supports the IN/OUT concept. After reviewing my concept numerous times, I feel confident that the IN/OUT concept is still relevant for documenting Bristol's diverse culture through type, however I need to focus more on Bristol's context.

Written Content

I explained that my publication was going to be predominantly image based, however I want to include pages of type in order to put the publication/audience into context. To achieve this, I pitched possible options; the poem, quotes, information about the locations around Bristol. It was fed back to me that I should definitely include information about Bristol, however I need to choose between quotes or the poem as I might risk confusing the audience.

Typeface

Briefly mentioned that I wanted to predominantly use a serif typeface, particularly for the body copy which people agreed with because the traditional style typeface will juxtapose with the diverse culture captured in the photos.

Binding

Explained that I wanted to use coptic stitch because of it's bespoke and aesthetic qualities which my crit group thought was appropriate. It was suggested that I should focus on making the production of the book really bespoke to put emphasis on the target audience. However, after speaking to the bookbinding tutorial, coptic stitch is hard and complicated to produce, especially with a hard cover because the pages need to be sewn into the cover.

I have enquired about a bookbinding workshop specifically for coptic stitch so if I can get this soon I will consider using it for my final book production.

Other Comments

This was one of the most useful crit sessions because people got involved in each others projects. I now have confidence in my concept.